our News
In Georgetown, it’s a nice day for a ‘Blood Wedding’—Crosscut
By Misha Berson One of Seattle’s most inventive theater directors is inviting you to a wedding — in the loading dock of a warehouse. It’s…
‘Blues for Mister Charlie’: James Baldwin’s theatrical ode to civil-rights martyr Medgar Evers—The Seattle Times
In the upstairs foyer of Emerald City Bible Fellowship church, just a quick walk down Rainier Ave. from the Othello light rail station, you can…
Baldwin’s Blues for Mister Charlie Pulses With Humanity and Heartbreak—South Seattle Emerald
By Carla Bell James Baldwin was many things: a novelist, essayist, orator, a realist, a forerunner of intersectionality before it had a name, and a…
Blues for Mister Charlie Is Profoundly Good Theater in the Simplest of Settings—The Stranger
By Christopher Frizzelle James Baldwin was not a huge fan of American theater. He called it, “commercial… stale, repetitious, and timid.” But for years he…
Review: A Powerful And Timely “Blues For Mister Charlie”—Seattle Gay Scene
By Michael Strangeways Summer 2017 has a fork in it now ’cause it’s DONE and it’s September which means the kidsare back in school and…
2 rarely performed Tennessee Williams plays on stage in Seattle—The Seattle Times
By Misha Berson ACT Theatre recently produced a Grade-A classic by Tennessee Williams, “Cat on a Hot Tin Roof.” Now two more obscure scripts by…