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Coming Soon:
Our 2024 Summer festival
Stay tuned because we’re about to announce our summer 2024 festival. We can’t wait to see you there.
The First Feast:
Our 2024 Gala
Saturday, March 23, 2024
6 pm – 10 pm
Mount Baker Community Club
We want to wine and dine you. We want to celebrate this new name and new chapter. We want to pool our resources towards abundance for artists. We want to tell you what’s next. And we want to throw a party, a feast.
The First Feast:
Our 2024 Gala
We want to wine and dine you. We want to celebrate this new name and new chapter. We want to pool our resources towards abundance for artists. We want to tell you what’s next. And we want to throw a party, a feast.
We chose the name The Feast as a metaphor for abundance, welcome, and maximalism. But we also chose it because we love to eat, drink, and party together—with our artists, with our audiences, and with our donors.
Thus, this year, we invite you to The First Feast, our 2024 gala. Picture long tables covered with food like a renaissance painting, the outfit you long to wear all year, glasses raised in celebration, the first look at our Summer Festival offerings, and tens of thousands raised in support of our next chapter.
Please join us for The First Feast.
We can’t wait to see you there.
- $75 Individual Ticket
- $600 Table of Eight
- $125 Supporter Ticket
- $800 Supporter Table of Eight
All tickets include cocktail hour, dinner, wine, dessert, and entertainment.
Supporter tickets include an upgraded wine pairing.
meet The Cast
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When The Williams Project stages a play, it usually means business: hotblooded, highly relevant theater that busts beyond the normal confines of a stage.

Brendan Kiley, Seattle Times
When The Williams Project stages a play, it usually means business: hotblooded, highly relevant theater that busts beyond the normal confines of a stage.

Brendan Kiley, Seattle Times
When The Williams Project stages a play, it usually means business: hotblooded, highly relevant theater that busts beyond the normal confines of a stage.

Brendan Kiley, Seattle Times
