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Review: [The Feast’s] TIME OF YOUR LIFE Goes a Step Beyond—
By Jay Irwin Dear Readers, you’ve often heard me extoll the prowess and brilliance of The Williams Project. Just last week I raved about how…
Review: The Williams Project stages bleak ‘Small Craft Warnings,’ with surprising burst of human kindness—The Seattle Times
By Brendan Kiley In the wrong hands, “Small Craft Warnings” could be one of America’s dreariest plays. Luckily, it’s in the hands of The Williams Project,…
Review: The Williams Project’s A BRIGHT ROOM CALLED DAY – When Will We Learn?—Broadway World Seattle
By Jay Irwin Dear Readers, today I want to talk to you about one of the most exciting companies in town and their latest show,…
Paying theater artists fair wages is hard. But why do we consider it optional?—CityArts Magazine
By Gemma Wilson We need to talk about money. Artists need more of it. I’m not telling you anything you don’t know: All artists want…
In Georgetown, it’s a nice day for a ‘Blood Wedding’—Crosscut
By Misha Berson One of Seattle’s most inventive theater directors is inviting you to a wedding — in the loading dock of a warehouse. It’s…
‘Blues for Mister Charlie’: James Baldwin’s theatrical ode to civil-rights martyr Medgar Evers—The Seattle Times
In the upstairs foyer of Emerald City Bible Fellowship church, just a quick walk down Rainier Ave. from the Othello light rail station, you can…